Film Resume

Ken Gregory wears many hats; sound editor, mixer, composer, producer and musician. Gregory, has been responsible for the boom microphone operation, location sound recording , post-production sound editing, music, dialogue editing, and/or mixing for many film and video productions. Many of these productions have been distributed to television broadcasters and film/video festivals around the world. Gregory has been awarded a 1999 Blizzard for Best Sound on Twilight of the Ice Nymphs 35 mm feature film by Guy Madden, awarded a 2001 Blizzard for Best Sound on The Genius of Lenny Breau 35 mm feature film documentary by Buffalo Gal Productions and has been nominated for a 2003 Blizzard Award for Best Overall Sound for sound design and editing for The Nature of Nicholas, 35 mm feature film by Jeff Erbach.

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Professional Experience


- The Red Hood HD video 10 mins by Danishka Esterhazy, sound design, music editing, music, etc. Spring 2009.

- Infectious, video 16 mins directed by Danishka Esterhazy , sound edit, mixing Fall 2007.
- The Claw, 16 mm film 6 mins directed by Bruce Claydon, sound design, music, mixing Spring 2007.

- Around Sanford, 16 mm film 10 mins directed by Jeff Erbach Foley, sound, dialog, ADR, mixing February 2005.
- The Snow Queen, 35 mm film 10 mins directed by Danishka Esterhazy , sound design, location recording, music, mixing January  2005.

- foley, sound editing, mixing for cinematic intro to Our Retired Explorer Dines with Michel Foucault in Paris, 1961, Weakerthans music video 
 directed by Simon Hughes and Caelum Vatnsdal 2003.

- The Nature of Nicholas, 35 mm feature film 90 mins  directed by Jeff Erbach post production sound design Winter 2001/2002.
- Monday With the Martins, 16 mm film 9 mins directed by Jeff Erbach sound design February 2000.

- Hey Happy 35 mm feature film directed by Noam Gonnick, trained location recordist and boom operator, 2003. 
- Sound design,  sensor interface and computer programing for Felt Histories, A/V computer
 mediated installation directed by Thecla Schiphorst  October 1998.
- Under Chad Valley, 35 mm film 10 mins.  directed by Jeff Erbach  sound design March 1998.
- The Genius of Lenny Breau, 16 mm film 60 mins. documentary by Buffalo Gal Productions dialog and sound editing, mixing 1998.
- Memorial Park, 3/4 video 10 mins. directed Hope Peterson, music, sound edit, mixing Winter 97/98.

- Gabriel Roy  16 mm film 60 mins. documentary by Buffalo Gal Productions dialog edit, November 1997.
- Twilight of the Ice Nymphs 35 mm film 90 mins, directed by Guy Madden. sound edit 1996.
- Sound design and interface programing for Body Maps: Artifacts of Touch, A/V mixed media installation
 directed by Thecla Schiphorst  March 1996.

- Soft Like Me 16 mm film15 mins. sound design directed by Jeff Erbach December 1995.
- Good Citizen Betty Baker 16 mm film 27 mins. by directed Lorri Millan/Shawna Dempsey ADR, 
sound editing music recording, mixing December 1995. 

- Love Means Not Asking You to Shave Your Legs 16mm animated film 3 mins. mixing by Paul Ulrich. 
- Latent Greatness 16 mm film 15 mins  directed by Jeff Sowylo, mastering August 1995.
- Hands of Ida 16 mm film 23 mins. for TV produced by CKND Wpg. directed by Guy Madden sound edit, August 1995.
- Nuvo Homo 3"4 video 16 mins. directed by Lorri Millan/Steven Lawson sound design July 1995. 
- Day in the Life of a Bull Dyke 3/4" video 10 mins. directed by Shawna Dempsey/Lorri Millan recording, editing, mixing Summer 1995.
- The Hunger Artist 16 mm film 23 mins. by Jim Pomeroy Spring sound edit, mixing 1995.
- Inamorata, produced by Femme Fatale Films 16 mm film, 8 mins. sound edit, music recording, mixing, Winter 94/95.
- Boom microphone operation and recording for WTN preview promotion, directed by Noam Gonnick, December 1994.
- Slapleather, by Kris Anderson and Maureen Smith, 16mm film, 5 mins. sound edit, mixing December 1994.

- The MAWA P.S.A. project, 6 30 second TV spots, by 6 artists, produced by Lisa Graves, mixing and mastering December 1994.
- Milk promotion television spots, directed by Noam Gonnick, mixing November 1994.
- For a Radio, low power radio transmission produced by Grant Guy at Video Pool, which including building 
the RF transmitter, November 10 1994.
- Gavin Frogboy,16mm film 8 mins. sound edit, mixing by Jeff Erbach November 1994.

- The Silence of the Clams 16mm animated film 3 mins. mixing by Paul Ulrich.
- Muse,16mm film 8 mins. by Dan Baker, mixing October 94.
- The Woman Upstairs, 16mm film 24 mins. for TV By Shereen Jarret, sound edit August 1994. 
-Tenants and Landlords,16mm film 8 mins. by Corey Lussier,  mixing October 1994.
- Hunters and Gatherers, 16mm film 56 mins, by Darrell Varga, sound design June 1994.
- The Adventures of Stella Star, a 16 mm film 15 mins. by K. George Godwin sound design May 1994.
- Thalumus 3/4" video installation by Hope Peterson, sound edit, mixing March 1994.
- Fat Chance, documentary produced by the NFB 16 mm film, 70 mins.  directed by Jeff McKay dialog and sound edit winter 93/94.

- Totantaz, 3/4" video 5 mins. directed by Sharon Alward, recording, sound edit, mixing December 1992
- Exit/Portal, 3/4" video 5 mins. directed by Noam Gonnick, Novembersound edit, music edit, mixing 1992.
- Surface Damage, a 3/4" video installation by Susan Peterson, February 1992.
- Quality Time, by Darrell Varga, a 16 mm experimental film, 58 min. sound design Feb.-March 1992.
 
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- The Exquisite Corpse, a compilation film by 11 directors, produced by Pierre and Dean Naday, 
16 mm film, 33 mins, sound desing, music, editing, mixing Fall/Winter 1991.
- Lifetime,  produced by Richard Findley, 16 mm film, 6 mins, mixing December1991.
- Boom microphone operation and recording for Slapleather, by Kris Anderson and Maureen Smith,
 16mm film, 5 mins. November 1991.
- Boom microphone operation and recording for Dog Stories, by Sherreen Jerret,16mm film, 23 mins.
 September 1991.
- Manufractured,  by Alethea Lahofer, 3/4" video, 30 mins, sound design  July1991.
- Boom microphone operation for Outside It's America, by Michael Drabot,16mm film/3/4" video, May 1991.
- En El Campo, by Jerry Tchrychin, 16 mm film, 5:30 mins, April 1991.
- Mr. Bus Stop, by Pierre Naday, 16 mm film, 6:30 mins, March 1991.

- Boom microphone operation for Manitoba Arts Council Promotional Video, produced by Kris Anderson 
and Maureen Smith, 3/4" video, December 1990.
- Danny Kays Eyes, by Doug Melnyk, mixing December 1990.
- Night Bus to Fargo, by Susan Peterson, 3/4" video, 22:00 min. location recording, sound edit, music, mixing  November 1990.

- Boom microphone operation for Core Area Initiative Documentary, by Jemison Partners Advertising,
 1/2" video, May 1990.
- Boom microphone operation for Untitled by the Popular Theater Alliance, 3/4" video, April 1990.  

- Boom microphone operation and wild sound recording for Night Bus to Fargo, by Susan Peterson, 3/4" video,
 October 1989.
- Engineered two music recordings for Dory, by John Kozack, 16 mm film, July and December 1989.
-10 Minutes To Showtime, by Alex Poruchnyk, 3/4" video, sound edit, mix August 1989.
- Generatune , short version by John Gurdebeke, 3/4" video, 22:00 mins, sound edit, mix July 1989.
- Average Life Comix  by Alethea Lahofer, video/live performance at the Winnipeg Art Gallery, sound design June 6 1989.

- Selling the Flamingo, by Susan Peterson, 3/4" video,sound , music editing, mixing May l989. 
- Boom microphone operation and wild sound recording for It Will All Come Out In The Wash, by Chris Hawkes 
and Gerhardt Gehrmann, 3/4 " video, January 1989.

 
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- Companions Wanted, by Donna Lewis, 3/4" video, sweetning, mixing December l988.
- Sleep Disorder, by Paula Newman, 3/4" video, mixing December l988.
- Live sound reinforcement and audio consultant for the Ace Art Inc. production of Nightclub, at the
 Club Morocco, December 5 l988.
- Iris, Catherine Stenger, 3/4" video, 6.00 min, sound design September l988.
- Stain, by Susan Peterson, 3/4" video, 6.00 min, sound edit, music, mixing September l988.
- Don't Look, by Ron Gorsline, 3/4" video,  sound design Summer l988.
- Armour For Living, by Susan Peterson, 3/4" video, 2 min, sound edit, mixing Spring l988.

- Location sound recording, sound editing and engineering for To Whom It May Concern, by Alex Poruchnyk,
 feature-length 3/4" video, September, l987 - February l988.

- Operated boom microphone for Generatune, by John Gurdebeke, 3/4" video, feature-length, 
September l987 - March l988.
-The compilation album, "Don't Worry 'Bout A Theng, Mister," recorded at Video Pool for 
Cheese Cannon Productions, recording, mixing January - February l987.


Gregory has been an active member of Video Pool Inc., an artist run center, since 1985,
including volunteering on the tech committee, on live productions, parties, programming committee etc. 
 Gregory has spearheaded and participated in the technical consulting and upgrades to the audio suite since 1988.



References are available on request.